Mod Bird.
Loon No. 4 by Kurt Swinghammer.
Acrylic on canvas. 48×48 in. $5000.
Kurt Swinghammer is a highly acclaimed guitarist,
singer/songwriter, producer, composer, designer
and fine artist based in Toronto.
Art
Neighbour's House, Byron Hodgins. Oil on canvas,
43x54 in. 2013. $3350.
Dogwood High Park, oil on canvas, 48x48 in.
$3350.
River Silhouettes, oil on canvas, 54x43in.
$3350. SOLD
Winter Thaw, oil on canvas, 24x24 in.
$1800.
Byron Hodgins received a B.F.A from
Nova Scotia School of Art and Design. Hodgins
has exhibited across Canada and Korea; he lives
and works in Toronto.
Polite and slender, Julie Jenkinson. Limited edition gicleé prints, 13.25 x 17.5 in. $325.
Alone Time, Robert Tokley. Oil on canvas, 30x 42 in. Canada, 2016. $1,200.00
Untitled, Robert Tokley. Oil on canvas, 16x 20 in. Canada, 2016. SOLD
Robert Tokley "Primal Focus" oil on canvas, 46x46 in. Canada, 2016. SOLD
Chari Lesniak, State of Flux, 2010. Mixed media on
canvas. 47.5 x 47.5”. $2,800.00
Chari Lesniak- b.1965
graduated from York University with a BFA 1988
Just in! Kurt Swinghammer’s Loon No. 02. Stunning colour palette. 48″ x 48”, acrylic on canvas. Canada, 2016. SOLD. No. 03 Coming Soon!
Kurt Swinghammer’s Red Canoe Series. 48″ x 48”, acrylic on canvas. $4500.
Twizzler by Lowell Bradshaw. 36″ x 34″, oil on canvas, 2011. $1600.
VERSO Gallery and INabstracto Present
Polite and slender, Julie Jenkinson. Limited edition gicleé prints, 13.25 x 17.5 in. $325.
Alone Time, Robert Tokley. Oil on canvas, 30x 42 in. Canada, 2016. $1,200.00
Untitled, Robert Tokley. Oil on canvas, 16x 20 in. Canada, 2016. SOLD
Robert Tokley "Primal Focus" oil on canvas, 46x46 in. Canada, 2016. SOLD
Just in! Kurt Swinghammer’s Loon No. 02. Stunning colour palette. 48″ x 48”, acrylic on canvas. Canada, 2016. SOLD. No. 03 Coming Soon!
Kurt Swinghammer’s Red Canoe Series. 48″ x 48”, acrylic on canvas. $4500.
Twizzler by Lowell Bradshaw. 36″ x 34″, oil on canvas, 2011. $1600.
VERSO Gallery and INabstracto Present
BLACKBONES Collection by Julie Jenkinson
Objects and sculptural jewelry for all sexes.
The BLACKBONES Collection spans the divide between found object,
fine art sculpture and jewelry. Working through a deeply intuitive and organic
sense of form, Jenkinson creates assemblages of artisanal and salvaged industrial materials. The results are strikingly dramatic pieces that one
could only call post modern industrial primitive.
Julie Jenkinson is a British born, self-taught artist and designer
living in Toronto. View the collection: www.blackbones.ca
BLACKBONES Necklace of Kenyan beads
and vintage whistle; Cardboard wall sculpture
by Julie Jenkinson
Filling. Rubber and brass ready-made sculpture by
Julie Jenkinson. 2015. 13″ x 13″ x3″.
Rubber and metal ready-made sculpture by
Julie Jenkinson. 2015. 7″ x 8″ x 7″.
Pinky, rubber sculpture by Julie Jenkinson. 2015
18″ x 12.75″ x 2.5″.
Rubber, brass, leather wall sculpture by Julie Jenkinson.
2015. 18″ x 6″ x 1.5″.
Moe Casino, The Neon Series. 2014
Acrylic on panel, 48" x 36". INQUIRE
When You Find The Right Sheep from the photo series Ice Age Scotty by Julie Jenkinson. Archival pigment ink framed print. 9 1/4" x 11 1/4" framed. $250.00 The complete series can be viewed at www.juliejenkinson.com
When You Find The Right Sheep from the photo series Ice Age Scotty by Julie Jenkinson. Archival pigment ink framed print. 9 1/4" x 11 1/4" framed. $250.00 The complete series can be viewed at www.juliejenkinson.com
36 Hours in Uruguay and Berlin Street Art
Photographs by Julie Jenkinson.
$425.
Top Ten Art Show: NOW Magazine 2013
[gallery link="file" columns="4" ids="2244,2243,2240,2241,2242,2239,2238,561"]
Street Art Atudy
Julie Jenkinson transforms street art
David Jager, NOW Magazine.
Artist, designer and photographer Julie Jenkinson was struck with the vibrant and unique graffiti culture in the cultural capital of Berlin. Reframing these pieces of street art and signage with her camera, she uses her coolly precise graphic sense to frame images that are both graphically striking and idiosyncratic. In a city that is world renowned for its subdued and minimalist cool, Jenkinson records more playful bursts of color and inventiveness that can be found around every street corner.
Jenkinson’s original fascination with street art has evolved into a record of places in a city that organically erode and accrue meaning. In her photo documentation of Uruguay, walls and urban surfaces that at first appear to be painting or collage turn out to be the arbitrary accumulation from of accrued layers of signage, markings and erosion. As such, they become a deeper study of how urban environments and visual signs are formed by a city and its residents over the passing of time, forming entirely new and different connections and resonances. www.juliejenkinson.com