We’re now open by appointment Wednesday-Sunday.


neighbours-house_byron Neighbour's House, Byron Hodgins. Oil on canvas, 43x54 in. 2013. $3350. byron_2 Dogwood High Park, oil on canvas, 48x48 in. $3350. byron_3 River Silhouettes, oil on canvas, 54x43in. $3350. SOLD byron_1 Winter Thaw, oil on canvas, 24x24 in. $1800. Byron Hodgins received a B.F.A from Nova Scotia School of Art and Design. Hodgins has exhibited across Canada and Korea; he lives and works in Toronto.
politeslender_coal Polite and slender, Julie Jenkinson. Limited edition gicleé prints, 13.25 x 17.5 in. $325.
Alone Time_Tokley Alone TimeRobert Tokley. Oil on canvas, 30x 42 in. Canada, 2016. $1,200.00
Tokley Untitled Untitled, Robert Tokley. Oil on canvas, 16x 20 in. Canada, 2016. SOLD
Tokley_Primal Focus Robert Tokley "Primal Focus" oil on canvas, 46x46 in. Canada, 2016. SOLD
Loon No. 04
Mod Bird. Loon No. 4 by Kurt Swinghammer. Acrylic on canvas. 48×48 in. $5000. Kurt Swinghammer is a highly acclaimed guitarist, singer/songwriter, producer, composer, designer and fine artist based in Toronto.
Chari_painting Chari LesniakState of Flux, 2010. Mixed media on canvas. 47.5 x 47.5”. $2,800.00 Chari Lesniak- b.1965 graduated from York University with a BFA 1988

Loon No. 2 Just in! Kurt Swinghammer’s Loon No. 02. Stunning colour palette. 48″ x 48”, acrylic on canvas. Canada, 2016. SOLD. No. 03 Coming Soon!
Red Canoe No._28 Kurt Swinghammer’s Red Canoe Series. 48″ x 48”, acrylic on canvas. $4500. 
  P1050066 Twizzler by Lowell Bradshaw. 36″ x 34″, oil on canvas, 2011. $1600.
VERSO Gallery and INabstracto Present 
BLACKBONES Collection by Julie Jenkinson Objects and sculptural jewelry for all sexes. The BLACKBONES Collection spans the divide between found object, fine art sculpture and jewelry. Working through a deeply intuitive and organic sense of form, Jenkinson creates assemblages of artisanal and salvaged industrial materials. The results are strikingly dramatic pieces that one could only call post modern industrial primitive. Julie Jenkinson is a British born, self-taught artist and designer living in Toronto. View the collection:  www.blackbones.ca BLACKBONES Install_001A BLACKBONES Necklace of Kenyan beads and vintage whistle; Cardboard wall sculpture by Julie Jenkinson Rubber_Brass_1 Filling. Rubber and brass ready-made sculpture by Julie Jenkinson. 2015. 13″ x 13″ x3″. Rubber Sculpture_No.1_LR Rubber and metal ready-made sculpture by Julie Jenkinson. 2015. 7″ x 8″ x 7″. Pinky_LR copy Pinky, rubber sculpture by Julie Jenkinson. 2015 18″ x 12.75″ x 2.5″. BLACKBONES Sculpture_005 BLACKBONES Sculpture_005A Rubber, brass, leather wall sculpture by Julie Jenkinson. 2015. 18″ x 6″ x 1.5″.
Moe Casino CAL_1960 Moe Casino,  The Neon Series. 2014 Acrylic on panel, 48" x 36". INQUIRE
When You Find the Right Sheep When You Find The Right Sheep from the photo series Ice Age Scotty by Julie Jenkinson. Archival pigment ink framed print. 9 1/4" x 11 1/4" framed. $250.00 The complete series can be viewed at www.juliejenkinson.com

36 Hours in Uruguay and Berlin Street Art
Photographs by Julie Jenkinson. $425. Top Ten Art Show: NOW Magazine 2013 Best of 2013 logo [gallery link="file" columns="4" ids="2244,2243,2240,2241,2242,2239,2238,561"]
Street Art Atudy
Julie Jenkinson transforms street art
David Jager, NOW Magazine.
Artist, designer and photographer Julie Jenkinson was struck with the vibrant and unique graffiti culture in the cultural capital of Berlin. Reframing these pieces of street art and signage with her camera, she uses her coolly precise graphic sense to frame images that are both graphically striking and idiosyncratic. In a city that is world renowned for its subdued and minimalist cool, Jenkinson records more playful bursts of color and inventiveness that can be found around every street corner. Jenkinson’s original fascination with street art has evolved into a record of places in a city that organically erode and accrue meaning. In her photo documentation of Uruguay, walls and urban surfaces that at first appear to be painting or collage turn out to be the arbitrary accumulation from of accrued layers of signage, markings and erosion. As such, they become a deeper study of how urban environments and visual signs are formed by a city and its residents over the passing of time, forming entirely new and different connections and resonances. www.juliejenkinson.com